Continuing my efforts to be a tourist in my home city I found myself wondering through the Ian Potter Centre on Flinders Street. I hadn’t been for a long time so I walked through the whole thing and as ever there were two paintings in particular that kept drawing me back. Although before I get to those, I would be remiss in not mentioning the “Who’s afraid of Colour” exhibit which was not at all what I expected (in a good way).
Anyway, I kept coming back to two John Brack paintings – the first is called 5pm on Collins Street and is dated 1955 and the second is called The Bar and dated 1954 O(when apparently bars had to close by 6pm so it is no wonder everyone is heading out with a mission in the first paining)! I live close to Collins Street so know exactly where the first painting is set and wonder if much has changed? Maybe those crowds are more likely at 6pm and no more hats on the men but thankfully more women in the crowd. Do people still look that miserable?
As for the lady at the bar – clearly you wouldn’t want to mess with her but she also retains a
particular charm which made me smile – and check out those fab earrings.
Back home but always lots to do here so visited the NGV as they have Van Gogh as their Winter Masterpieces exhibit. Of course it is hard not to love Van Gogh’s work – some of it is so passionate in its colors and vibrancy that it brings a lump to my throat. There are not many artists who can do that. This exhibit takes a seasonal approach to his work and displays the pieces by season rather than in any other chronology. Apparently he loved Autumn the most but I think his summer works are the most spectacular (but then I am rather fond of European summers).
Given my recent visit to Japan I was interested to see that he had been heavily influenced by Japanese block prints (which are also prone to a seasonal focus) and these were shown in the exhibit also to provide context before the Van Gogh exhibit started.
Below are the Japanese block prints, some of my favorite summer paintings and finally the one that drew me back again and again. I had not seen it before. It is a simple drawing of a peasant reaping at harvest time – it was done close to before he shot himself so whether there was any double meaning with the “grim reaper” I don’t know – but there is something about it that I couldn’t stop looking at.
See what you think?
Japanese block prints that influenced Van Gogh and which he collected avidly
My personal faves
As promised the Hockney and Bulgari sections of my epic three hour visit to the NGV and enjoying the sunshine with my mates – so nice to finally have some time to enjoy their company:)
Bulgari glitters. If it’s good enough for Elizabeth Taylor, it’s good enough for me.
Hockney and his iPad has enabled him to churn out thousands of great paintings. Maybe I should give it a try?
In both cases below it was the boys who took the selfies. I thought I should point that out in case anyone noticed the drop in photographic standards?
With Marjory and Jeremy at the tennis: With Susanna and Alistair and wine.
My friend Marjory is visiting from Vancouver Island and yesterday we spent the day at the NGV- the reason we spent the day was three fantastic exhibits – Viktor and Rolf (fashion and art rolled into one), Bulgari (some pretty fancy jewels) and David Hockney – now using his ipad to produce a new range of bright and colorful work. I think the pics speak for themselves but if you live here – get yourself over there and see why Melbourne is definitely the cultural capital of Australia and possibly the Southern Hemisphere?
Viktor and Rolf’s slightly creepy dolls used to exhibit some of their designs.
Is it a painting or is it a coat or can it be both?
A selection of creations. The cut out red dress came out during the Financial crisis and represents the the need to “cut back”; the flower bomb dress makes a reality of a “straw hat” and I would like the “no” coat!
Tomorrow I will show the Bulgari and Hockney – all too much excitement for one post!