So lucky to get a sneak peak at the brand new NGV Triennial . It is superb. All the fashion designs of Guo Pei are breathtaking – and it is the first time she has shown all her work in one place.
And I loved the interactive Yayoi Kusama- the dot artist that some of you will know I’m somewhat obsessed with. The display is a complete apartment with flower stickers that each visitor can stick wherever they like (mine’s on the kettle as I couldn’t find a champagne bottle!). By the end of the exhibit in a few months’ time,it will be covered in flowers so everyone will have completed their own Kusama experience. Brilliant idea.
Then there is the room of human giant skulls – confronting when you come across it unexpectedly upstairs.
Can’t wait to go back and see it again — and it’s free!
It’s Friday so I’m indulging myself with this blog on my recent visit to the Dior Exhibit at Melbourne’s NGV. If you live here, you must go if you have even the slightest interest in works of art that you can wear and if you don’t, please get on a plane and see his if you possibly can.
Welcome to a world of fantasy and do feel free to wallow and zoom in to your heart’s content.
A Dress for every Occasion
It’s all about the detail darling
The magnificent designs of John Galliano
Fantasy ball gowns – although who are the people who get invited to places where you could wear something like these???
And finally my personal favourites
Bit of a shock to leave mid summer and return to mid winter (although Melbourne winters are really very mild) but I have got wimpier about the cold after 10 years in Australia. Anyway, obviously a good time to consider indoor activities and so I trotted off to the Hokusai Exhibit at the NGV. It was magnificent – many many pieces including the Great Wave, waterfalls and other Japanese scenes. I am amazed how he can create such lovely images with so few brush strokes and of course it has set off my wanderlust to visit Japan again – now that I have visited Tokyo and Kyoto I would love to explore other parts of the country – maybe an Autumn trip would be nice and then I can chase golden leaves instead of cherry blossoms.
Hope you like them as much as I did and if you live here – GO!
Continuing my efforts to be a tourist in my home city I found myself wondering through the Ian Potter Centre on Flinders Street. I hadn’t been for a long time so I walked through the whole thing and as ever there were two paintings in particular that kept drawing me back. Although before I get to those, I would be remiss in not mentioning the “Who’s afraid of Colour” exhibit which was not at all what I expected (in a good way).
Anyway, I kept coming back to two John Brack paintings – the first is called 5pm on Collins Street and is dated 1955 and the second is called The Bar and dated 1954 O(when apparently bars had to close by 6pm so it is no wonder everyone is heading out with a mission in the first paining)! I live close to Collins Street so know exactly where the first painting is set and wonder if much has changed? Maybe those crowds are more likely at 6pm and no more hats on the men but thankfully more women in the crowd. Do people still look that miserable?
As for the lady at the bar – clearly you wouldn’t want to mess with her but she also retains a
particular charm which made me smile – and check out those fab earrings.
Back home but always lots to do here so visited the NGV as they have Van Gogh as their Winter Masterpieces exhibit. Of course it is hard not to love Van Gogh’s work – some of it is so passionate in its colors and vibrancy that it brings a lump to my throat. There are not many artists who can do that. This exhibit takes a seasonal approach to his work and displays the pieces by season rather than in any other chronology. Apparently he loved Autumn the most but I think his summer works are the most spectacular (but then I am rather fond of European summers).
Given my recent visit to Japan I was interested to see that he had been heavily influenced by Japanese block prints (which are also prone to a seasonal focus) and these were shown in the exhibit also to provide context before the Van Gogh exhibit started.
Below are the Japanese block prints, some of my favorite summer paintings and finally the one that drew me back again and again. I had not seen it before. It is a simple drawing of a peasant reaping at harvest time – it was done close to before he shot himself so whether there was any double meaning with the “grim reaper” I don’t know – but there is something about it that I couldn’t stop looking at.
See what you think?
Japanese block prints that influenced Van Gogh and which he collected avidly
My personal faves
As promised the Hockney and Bulgari sections of my epic three hour visit to the NGV and enjoying the sunshine with my mates – so nice to finally have some time to enjoy their company:)
Bulgari glitters. If it’s good enough for Elizabeth Taylor, it’s good enough for me.
Hockney and his iPad has enabled him to churn out thousands of great paintings. Maybe I should give it a try?
In both cases below it was the boys who took the selfies. I thought I should point that out in case anyone noticed the drop in photographic standards?
With Marjory and Jeremy at the tennis: With Susanna and Alistair and wine.